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...in Danish, scuse the translation: The film operates here both psychologically and biologically and physically in a form of 'dark ecology', as the ecophilosopher Timothy Morton has called it. Because according to dark ecology, everything is constantly changing, including the subject, it's unwise to try to distinguish between the hidden one on one side and the world out there on the other side. As Morton points out, "we" should not, as in earlier and more traditional ecological purposes, elevate "the natural" (plants, animals, moles and rocks) to a noble design as something pure and unchangeable. Instead, we should completely drop the idea of "the natural" and instead look at the world as one big and always variable size, which is not only in constant motion, but also always is "us" and vice versa.

This is not embed-able... click instead . Very good interviewer, Leonard Schwartz. We did it in February of this year.

Thanks Sonic Acts ! What a great archive of the adventures of the sound artists creating things with Tim's concept in Arctic Russia over three years...

Looks really interesting . From some conference proceedings. And this one, too, in   Balkon , an arts journal .

Oh this was so nice. I'm so grateful to Solveig Ovstebo and Karsten Lund for their incredible hosting. What a lovely occasion. And I met an old friend I hadn't seen for ages, David Pantos. The space was really big and fun too, and packed. The occasion was an exhibition of the work of my new friend Ben Rivers, including the film Urth , which was inspired by my book Dark Ecology . Timothy Morton: Things Just Got Weird from The Renaissance Society on Vimeo .